The Cherry Orchard

The Cherry Orchard

A Comedy in Four Acts

Anton Chekhov

Translated by Julius West

The Cherry Orchard is the last play by Russian playwright Anton Chekhov. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Constantin Stanislavski. Although Chekhov intended it as a comedy, and it does contain some elements of farce, Stanislavski insisted on directing the play as a tragedy. Since this initial production, directors have had to contend with the dual nature of the play. The play is often identified on the short list of the three or four outstanding plays written by Chekhov along with The Seagull, Three Sisters, and Uncle Vanya.

There were several experiences in Chekhov's own life that are said to have directly inspired his writing of The Cherry Orchard. When Chekhov was sixteen, his mother went into debt after being cheated by some builders she had hired to construct a small house. A former lodger, Gabriel Selivanov, offered to help her financially, but secretly bought the house for himself. At approximately the same time, Chekov's childhood home in Taganrog was sold to pay off its mortgage. These financial and domestic upheavals imprinted themselves deeply on his memory and would reappear in the action of The Cherry Orchard.

Later in his life, living on a country estate outside Moscow, Chekhov developed an interest in gardening and planted his own cherry orchard. After relocating to Yalta due to his poor health, Chekhov was devastated to learn that the buyer of his former estate had cut down most of the orchard. Returning on one trip to his childhood haunts in Taganrog, he was further horrified by the devastating effects of industrial deforestation. It was in those woodlands and the forests of his holidays in Ukraine that he had first nurtured his ecological passion (this passion is reflected in the character of Dr. Astrov, from his earlier play Uncle Vanya, whose love of the forests is his only peace). A lovely and locally famous cherry orchard stood on the farm of family friends where he spent childhood vacations, and in his early short story "Steppe," Chekhov depicts a young boy crossing the Ukraine amidst fields of cherry blossoms. Finally, the first inklings of the genesis for the play that would be his last came in a terse notebook entry of 1897: "cherry orchard." Today, Chekhov's Yalta garden survives alongside The Cherry Orchard as a monument to a man whose feeling for trees equaled his feeling for theatre. Indeed, trees are often unspoken, symbolic heroes and victims of his stories and plays; so much so that Chekhov is often singled out as Europe's first ecological author.