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Robert Aldrich: Interviews
Robert Aldrich
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Robert Aldrich: Interviews
Robert Aldrich
In this collection of interviews, Robert Aldrich (1918-1983) tells fascinating stories of making motion pictures with such film legends as Burt Lancaster, Lee Marvin, Robert Mitchum, and Bette Davis. He talks bluntly, sometimes ferociously, about struggling to make movies that accented his uncompromising view of life.
Marc Notes: Filmography: p. [xix]-xxxii; Includes bibliographical references and index. Publisher Marketing: Film -- Biography In this collection of interviews, Robert Aldrich (1918-1983) tells fascinating stories of making motion pictures with such film legends as Burt Lancaster, Lee Marvin, Jack Palance, Robert Mitchum, Bette Davis, Joan Crawford, James Stewart, Charles Bronson, Eddie Albert, and Burt Reynolds. As he speaks of them, of his on-going battles with censors, and of his audacious but failed attempt to create his own studio, he talks bluntly, sometimes ferociously, about struggling to make movies that accented his uncompromising view of life. Among Aldrich's interviewers are Richard Combs, Peter Bogdanovich, Alain Silver, Pierre Sauvage, and David Sterritt. In dialogue with these critics and film scholars he recounts a life in filmmaking that encompassed both old Hollywood's studio system and the spirited independence that took American cinema in a new direction in the 1960s and '70s. Although he was a member and a kinsman of wealthy, powerful families (the Aldriches of Rhode Island and the Rockefellers of New York), he gained a reputation as an anti-authoritarian maverick whose films condemned corruptive power. While succeeding as popular entertainment, they also were personal attacks on hypocrisy and intolerance. Aldrich redefined genres and undercut the conventions they portrayed. "Kiss Me Deadly" transformed the detective film into a satire on Cold War America. "Vera Cruz" disclosed the corruption at the heart of the traditional western. "The Dirty Dozen" and "Twilight's Last Gleaming" rendered the ambiguous underside of combat and the military. "Whatever Happened to Baby Jane?" and "Hush . . . Hush, Sweet Charlotte" shaped horror films into psychological studies of female loneliness and alienation. Eugene L. Miller is the author, with Edwin T. Arnold, of "The Films and Career of Robert Aldrich." Edwin T. Arnold, a professor of English at Appalachian State University, is co-editor of "Perspectives on Cormac McCarthy" and "A Cormac McCarthy Companion: The Border Trilogy" (both published by the University Press of Mississippi). Review Citations:
Booklist 01/01/2004 pg. 806 (EAN 9781578066032, Paperback)
Booklist 01/01/2004 pg. 806 (EAN 9781578066025, Hardcover)
Contributor Bio: Arnold, Edwin T Edwin T. Arnold and Dianne C. Luce are editors of "Perspectives on Cormac McCarthy" (University Press of Mississippi). This new volume is an admirable companion to "Perspectives on Cormac McCarthy", bringing McCarthy scholarship into the 21st century.
Media | Kirjat Paperback Book (Kirja pehmeillä kansilla ja liimatulla selällä) |
Julkaisupäivämäärä | lauantai 28. helmikuuta 2004 |
ISBN13 | 9781578066032 |
Tuottaja | University Press of Mississippi |
Sivujen määrä | 277 |
Mitta | 152 × 229 × 13 mm · 341 g |
Kieli | English |
Toimittaja | Arnold, Edwin T. |
Toimittaja | Miller, Eugene L. |
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